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Picture it: Ian McKellan in a wizard hat surrounded by a green screen. Is that what artificial intelligence in the entertainment industry looks like? It certainly is a step toward incorporating the powerful modeling tools computers can use to generate scenery like the Mines of Moria. But how much further might AI move beyond today’s standard movie-making video vfx?

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Alexis Kirke and Richard take listeners on a tour of the possibilities.

Listen and learn

  • Some of the philosophical differences artists might leverage when merging artificial intelligence and human behavior,
  • How shows can be broken down into different elements and adjusted by a user’s smart control, and
  • How might the story line itself modulate with artificial intelligence methods and what are challenges to this.

Alexis Kirke is a senior research fellow at the School of Humanities and Performing Arts and with the Faculty of Arts at the University of Plymouth, England. He’s a screenwriter and quantum/AI programmer and shares intriguing AI ideas with listeners.

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Examples of AI most familiar to listeners include the blending of artificial and natural scenes in Marvel franchise movies or recreations of film stars no longer with us like Princes Leia in a recent Star Wars film. Alexis Kirke sees the blending of artificial and human intelligence as much more than automation in the film industry. Rather, he sees creative potential in how humans and machines collaborate, making each other more powerful and inspiring.

In addition to contemplating possibilities, he helps listeners understand the practical uses. For example, adapting a TV program for someone with hearing difficulties in a meaningful way is more possible than ever. Creators have broken down all the sound elements in a piece and rated each one with narrative importance—someone could have an intelligent volume control and turn down the sounds in inverse relative importance, emphasizing only the most essential noises for the story.

The job of the production team is only to break these elements down. The individualization is up to the device of the viewer. But of course, it goes far beyond this and he and Richard talk about the extent to which a story might be alterable as well as scenery and actors.

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Listen in for an entertaining discussion about the movies.

For more about his work, see his website at

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